But Four Babies Playing a Game Can Make a Play-world Which Licks Your Real World Hollow.

"Suppose this black pit of a kingdom of yours is the only world. Well, information technology strikes me equally a pretty poor one. And that's a funny thing, when you come to retrieve of information technology. We're just babies making up a game, if you're correct. But iv babies playing a game tin can make a play-globe which licks your real world hollow. That's why I'g going to stand up by the play world. I'thou on Aslan's side even if there isn't whatsoever Aslan to atomic number 82 it. I'm going to alive as like a Narnian as I tin even if there isn't any Narnia."

The Silverish Chair chronicles another run a risk, into the northern Narnia and downwards into its hidden caves, where Prince Rilian, the son of Caspian, is imprisoned by the evil Emerald Witch.  Eustace, along with a Jill Pole are the only children on this adventure; further, they go far non in Narnia, simply atop a tall cliff in Aslan's land. In an human activity of vanity, Jill stands also close to the edge, causing Eustace to fall into the gorge while reaching to catch her. Aslan in fact arrives to accident Eustace into Narnia ere he splats, then vanishes only to reappear by the river from which the thirsty Jill wishes to drink.

"In a densely theological scene" Markos relates, "Aslan invites Jill to potable from the river." She refuses, simply Aslan informs her that at that place is no other river, and if she doesn't potable, she will die. Thirst in one case thus sated, Aslan instructs Jill to memorize iv signs that will guide her in rescuing Rilian (and she is repeatedly urged to recite them, every bit things will exist less clear once they leave the mountain).  The four signs are a metaphor for God'south word, the Bible (both the Former Testament – the Hebrew Torah, and the words of Jesus, from the New Testament). Repeatedly, Jill will forget the signs, causing her troubles.

Eventually, the aptly named Puddleglum – "a alpine, lanky, eternally pessimistic withal doggedly optimistic Marshwiggle"– joins Jill and Eustace to rescue Rilian, and so return to Aslan'due south mountain.  When back at the river in which Jill had drunk, Jill and Eustace meet the dead body of the aged Prince Caspian.  Later "Aslan weeps" (John 11:35 – tied for shortest verse in the Bible in fact!), Aslan re-enacts Christ'south crucifixion scene by having Eustace pierce his manus with a thorn.

Notable Quotes:

"I'm on Aslan's side even if there isn't whatsoever Aslan to lead it. I'm going to live as like a Narnian every bit I can even if in that location isn't any Narnia."

Puddleglum:  "One word, Ma'am," he said, coming dorsum from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who e'er liked to know the worst then put the best face I can on it. So I won't deny any of what you said. Only there's one more thing to be said, even so. Suppose we have simply dreamed, or fabricated up, all those things-trees and grass and sunday and moon and stars and Aslan himself. Suppose we accept. Then all I can say is that, in that instance, the made-up things seem a expert deal more important than the real ones . Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me every bit a pretty poor 1. And that's a funny thing, when you come to call back of it. Nosotros're just babies making upwards a game, if yous're right. Only four babies playing a game can make a play-world which licks your real world hollow . That's why I'm going to stand by the play earth. I'm on Aslan'south side even if there isn't whatever Aslan to atomic number 82 it. I'm going to alive as like a Narnian equally I can even if there isn't any Narnia. Then, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at in one case and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; merely that'south a small loss if the world'southward as dull a identify equally y'all say."

"Aslan's instructions always piece of work; there are no exceptions."

"I daren't come and drink," said Jill.
Then you volition die of thirst," said the King of beasts.
Oh dearest!" said Jill, coming another step nearer."I suppose I must go and expect for some other stream then."
In that location is no other stream," said the Lion."

Aslan: "I accept come," said a deep vocalization backside them. They turned and saw the Lion himself, then vivid and real and stiff that everything else began at once to look pale and shadowy compared with him."

"Are you not thirsty?" said the King of beasts.
"I am dying of thirst," said Jill.
"Then potable," said the Lion.
"May I — could I — would you heed going away while I do?" said Jill.
The Lion answered this simply by a look and a very low growl. And as Jill gazed at its motionless majority, she realized that she might as well have asked the whole mountain to motility aside for her convenience.
The delicious rippling noise of the stream was driving her nearly frantic.
"Will you promise not to — do anything to me, if I exercise come?" said Jill.
"I make no promise," said the Lion.
Jill was so thirsty now that, without noticing it, she had come a pace nearer.
"Do you eat girls?" she said.
"I have swallowed up girls and boys, women and men, kings and emperors, cities and realms," said the Panthera leo. It didn't say this as if it were boasting, nor equally if it were pitiful, nor equally if it were angry. It just said it.
"I daren't come up and beverage," said Jill.
"So yous will die of thirst," said the Panthera leo.
"Oh love!" said Jill, coming another pace nearer. "I suppose I must go and wait for another stream then."
"At that place is no other stream," said the Panthera leo."

And at the end, this scene:

"Son of Adam," said Aslan, "get into that thicket and pluck the thorn that you volition discover at that place, and bring it to me."  Eustace obeyed.

"Drive it upwardly into my paw, Son of Adam," said Aslan, holding upwards his correct fore-manus and spreading out the keen pad toward Eustace.

"Must I? said Eustace. "Yes" said Aslan.

And so Eustace set his teeth and drove the thorn into the Lion's pad. And at that place came out a great drop of claret, redder than all redness that you have ever seen or imagined. And information technology splashed into the stream over the dead body of the King.  At the same moment the doleful music stopped. And the dead King began to be changed. His white beard turned to gray. And from gray to yellow, and got shorter and vanished altogether; and his sunken cheeks grew round and fresh, and the wrinkles were smoother, and his eyes opened, and his eyes and lips both laughed, and suddenly he leaped upwardly and stood before them – a very immature man, or a boy. (Only Jill couldn't say which, considering of people having no detail ages in Aslan's country. Even in this earth, of course, it is the stupidest children who are the most childish and the stupidest grown-ups who are most grown-up). And he rushed to Aslan and flung his arms equally far as they would become round the huge neck; and he gave Aslan the strong kisses of a Rex, and Aslan gave him the wild kisses of a Lion.

Planet: Moon

The role played by the moon in The Silver Chair is influenced by the post-obit factors: the seemingly erratic movements of the moon give rise to the notion of lunacy or madness, a claim of the secondary silverish light of the moon (with respect to that of the primary gilt hues of the sun) being imitation or, using one of Lewis'south favorite epithets, 'moonshine,' the moon's outcome of tides associating it with wetness, and the color green being associated with the envy of the moon for the sun's directly light. Thus, wetness is included in many of the terrestrial descriptions, and the overall counterfeit nature of the greenish-clad Queen Jadis's exemplifies the offer of the inferior low-cal of the moon.

The Planets: The Moon

Lady LUNA, in calorie-free canoe,
By friths and shallows of fretted cloudland
Cruises monthly; with chrism of dews
And deluge of dream, a drizzling glamour,
Enchants us–the cheat! changing sometime
A mind to madness, melancholy pale,
Bleached with gazing on her blank count'nance
Orb'd and ageless. In earth's bosom
The shower of her rays, sharp-feathered light
Reaching downward, ripens silver,
Forming and fashioning female person brightness,
–Metal maidenlike. Her moist circle
Is nearest earth.

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Source: https://narnianfrodo.com/2018/01/07/the-silver-chair-accept-no-substitutes-chronicles-of-narnia-4/

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